In 2017 I had the amazing chance to work on a visual for the lots of shows in a row-tour of canadian musician deadmau5.
My animation was featured on the 18 feet tall cube alongside famous Mograph artists like E.J. Hassenfratz.
A big thank you to Matt and Dave from Brograph and David Ariew for making this possible.
During my internship for nizeone, an industrial design agency in Munich, I was tasked to create two animations for upcoming watch manufacturer Penarosa.
One animation will be used to promote their new watch and one to show it’s assembly process.
Project Lead: Alexander Jantschke
Storyboard, Animation, Post-Production: Michael Rieplhuber
Lighting, Texturing, Rendering: Nick Kerscher
Equipped with an iPad, visitors of the Retrospective 2019 at FH Salzburg were able to experience art in a completely new way. Augmented Reality brings the interactive exhibition "Schein" by Michael Rieplhuber to life and allows you to immerse yourself in the gloomy world of obsessive-compulsive disorder. The short story being told is about the outbreak of this world and uses modern technology to create a more personal understanding of the disease.
Click here for the documentation in German.
As part of the team that organizes the 2018 edition of Creativity Rules., I’m responsible for everything motion graphic related.
Trying to translate this years logo into motion, I produced idents for the movies shown and content for various social media channels.
At airports in rural Asia you can see an ever increasing amount of signs, depicting the correct use of toilets to those who have never used one in their life before.
I have a lot of fun imagining what must have happened, to cause the need for such signs. I collected these thoughts in my illustrated book Riding the Toilet.
Kolibri is a fictional airline that I created for my corporate design course at University.
The goal of Kolibri is to make the check-in procedure as fast and as easy as possible and the corporate identity had to reflect that.
I developed a logo, mobile app interface, corporate stationery and promotional material.
The goal of my campaign Natur ertrinkt im Teer Meer (Nature drowns in the tar sea) was to draw attention to the ever increasing space that's being used for urban development, while leftover space remains unused.
I illustrated three posters, depicting nature with human organs to remind people that it is a living organism like us.
To create the Sera typeface I followed two basic rules: lines can't be diagonal and they can't cross (with the only exception beeing the Q).
This resulted in a very smooth, but at the same time sturdy font, that works great for headlines.
This is a concept magazine that reports about news in the digital art field, features interviews with known creators and includes tutorials spanning all of software and hardware to create amazing digital art.
It was developed for my typography course at University.
Print is not dead is a shortfilm that was created for the film course at my University. During post production I was responsible for tracking and replacing the screen with footage from popular movies.
I took HDRIs at location to recreate the lighting in Cinema 4D and generate realistic reflections.
Zanini’s Wagenpflege asked me to help them with their rebranding. The idea was to create a design around the two cars of the owner, a performance car and an oldtimer.
I created business cards and signs for their workshop.